Fascinating - economic locked-in script, thrilling turns, unreal dialog. Both Fassbinder. A possessed Hanna Schygulla. Fela (a viewer) watched this cynically but managed to be gripped; how did this happen? I suspect Fassbinder intended this: something like a radio show is playing throughout in the background - this would irritate anyone at the start. You are not encouraged to judge/evaluate, just receive, the pace helps. And of course the dependence on subtitles that robbed more time off the possibility. He is not compelled to make sense; he wishes to throw off the bumviewer within bounds.